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Elena Perroni Press

La Traviata – West Australian Opera 2019

«A cast of ..stars was led by Elena Perroni making her role debut as Violetta…displayed versatility and stamina in the role, manipulating her seductive velvet soprano with impressive technique as her character evolved.»

Opera magazine 19′ Rosalind Appleby

«Elena Perroni made her role debut as Violetta manipulating her seductive velvet soprano with impressive technique. The soprano graduated last year from the Curtis Institute of Music and displayed her versatility and stamina as she transitioned across three acts from flirtatious courtesan (‘My day dawns and dies in pleasure’) to the vulnerable and noble lady who stole the hearts of everyone in the opera (and audience).»

Cut common magazine 2019

La Boheme – West Australian Opera – 2018

«As Mimi, she did not disappoint, her soprano so full and flexible, yet so capable of expressing fragility and mortality without incongruity.»

The West Australian

» Elena Perroni, in her first Australian professional engagement, sang with a focused pearly soprano that had fragility but bloomed wonderfully when required.» –

 Noted Australia 

The Philadelphia Orchestra 

A Space Odyssey – Featured Artist – 2017

«You didn’t need to understand the text about the “silvery moon in the velvet night” in Dvorak’s “Song to the Moon” from Rusalka: It was all right there in the silvery orchestrations, and in the velvet soprano voice of Elena Perroni

Philadelphia Inquirer

English National Opera

Charlie Parker’s Yardbird – 2017

» The late scene in the mental hospital came as a real relief, with its gentle, reflective setting and the quiet keening of Elena Perroni«

Lark Reviews -2017

«Perroni makes your spine tingle in that wordless lament»

The Guardian – 2017

«Elena Perroni who, almost echoing her earlier supplication to Charlie – “let music be your prayer” – falls on her knees in a beautiful, haunting vocalise»

Bachtrack – 2017

Magda – La Rondine. Curtis Opera Theatre – 2017 

«The cast was consistently appealing and vocally capable…. with Elena Perroni making sense of the central role of Magda, both vocally and theatrically.»

Philadelphia Inquirer – 2017

Susanna – Le Nozze di Figaro – Curtis Opera Theatre  – 2016

«Elena Perroni, equally gifted vocally, was an utterly adorable Susanna»

Seen and Heard International

Anne Truelove – The Rake’s Progress – Curtis Opera Theatre -2015 

«Soprano Elena Perroni was particularly strong as Anne Trulove, with all of that character’s vulnerabilities and underlying strength playing out in subtle ways vocally.»

Philadelphia Inquirer

«A true ensemble of singer-actors starred Elena Perroni, smooth-voiced and heartrending as Anne Trulove»

Broad Street Review